Colman inhabits Hilary with her customary fullness and impeccable judgment, always putting her energy into conveying the character’s churning, contradictory feelings rather than trotting out the virtuoso tricks and mannerisms that…
“Retrograde” is about many things, but it’s really about the faces. The cameras linger on the faces, allowing the expressions of suffering, tension, nerves, desperation, to take root or take…
Without spoiling the final act completely, it re-centers the Gladneys back at home, but with death a much more present reality in Jack’s mind. Unfortunately, as the intensity rises, “White…
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