birth/rebirth movie review & film summary (2023)
“birth/rebirth” has some “body horror” tropes and some straight horror tropes, but it’s not really a monster story. It’s more of a medical thriller, helmed by two twisted conspirators, both…
“birth/rebirth” has some “body horror” tropes and some straight horror tropes, but it’s not really a monster story. It’s more of a medical thriller, helmed by two twisted conspirators, both…
The strippers were stars in Las Vegas in the 1990s. They called themselves The Chocolate Chips. Wesley Snipes is the leader, Luther, aka “Mr. Big,” whose career ended when a car accident shattered his…
Since he first put CDG antics videos on YouTube, Lipman-Stern’s documentation has wanted to demystify and destroy this workplace. As the timeline of “Telemarketers” presents his own growth from CDG and…
Fukada masterfully teases out these tensions slowly. First, with glances, sometimes shared, sometimes just rendered. Then through casual dialogue laced with subtle, hurtful barbs. And finally, through grand gestures and…
A lifeless Sophie Okonedo plays her boss, Nomad, who recruited her when she was 20 years old. Why? We have no idea! Did she have training beforehand, or was she trained…
The film was directed by André Øvredal, whose previous credits include such intriguing horror-related efforts as “Trollhunter,” “The Autopsy of Jane Doe,” and the underrated “Scary Stories to Tell in…
In “Jailer,” the bad men are led by Varman (Vinayakan), a manic crime boss who kidnaps Muthu’s adult son Arjun (Vasanth Ravi), also a cop, and threatens to behead Arjun’s…
“Painkiller,” developed by Micah Fitzerman-Blue and Noah Harpster (co-writers of “A Beautiful Day in the Neighborhood”) from a New Yorker article by Patrick Radden Keefe and Barry Meier’s Pain Killer: An Empire of…
Much of the movie was shot during the height of the Covid pandemic, which meant that Alberdi wasn’t even in the room with the couple. Camera work in many of…
Thankfully, writer/director Bill Pohlad has brought their tale to the silver screen with the same thoughtful, humanist lens with which he made the excellent Brian Wilson biopic “Love & Mercy”…